THE TRIAL (and The Prisoner)

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Early open concept workplace. Nightmare both then and now.

Welles and The Trial

Orson Welles’s 1962 film, The Trial, was his own loose adaptation of Franz Kafka’s German language novel from 1925. It has been justly celebrated by critics and Welles aficionados as one of his finest achievements, and is one of the few projects that he retained control of through the finished product. It is a masterwork of direction, writing, set design, and acting, but is sadly not known as well as many of his other works, probably due to the lack of a proper home video release in the US.* The film will somewhat resist interpretation, because as the narrator (Welles) famously says at the conclusion of the introduction: “It has been said that the logic of this story is the logic of a dream, of a nightmare.” Which is to say, no logic at all.

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