Martin Scorsese has said that he did not originally want to make The King of Comedy (1983) when it was first presented to him by Robert De Niro—he “didn’t get it.” But, as he has explained in a couple of retrospective interviews, he eventually came around to understanding the script. The story follows the improbably named Rupert Pupkin (De Niro), who wished to make it big as a stand up comedian on the Jerry Langford (a brilliantly simmering Jerry Lewis) late night show. When Langford brushes off the unproven Pupkin, Pupkin’s attempts to gain Langford’s attention grow more desperate, culminating in him kidnapping Langford along with his equally obsessed and unstable friend Masha (Sandra Bernhard).
Scorsese told critic Richard Schickel (in his interview book, “Conversations with Scorsese”) that at first, he thought that it was “just a one-line gag: You won’t let me go on the show, so I’ll kidnap you and you’ll put me on the show. Hmm.” But he later began to see what De Niro saw in the script by Paul Zimmerman: the way celebrities like De Niro have to deal with “the adulation of the crowd, and the strangers who love you and have got to be with you and have got to say things.”